Belmiro Jemusse, also known as Jemmiro in the art scene was born in Mozambique on March 16, 1976. He moved to South Africa in 2003 to practice as a full-time artist and to escape what he describes as “limitations in Mozambique” art scene. He studied drawing, painting and printmaking at Artist Proof Studios in Johannesburg and privately in Humansdorp, Eastern Cape.
He has participated in a number of solo and curated group exhibitions. He has produced a number of art series: “Africa, Back to the Future” (featured in his debut solo Exhibition), “Fragments”, “Finding The Inner Child”, “Supermom”, “Under The Moonlight (which was featured in a solo exhibition in 2012)”, “Saudade”, “Propagation” and recently “Dreams and Shadows”.
His artworks are characterized by myth, humour, nostalgia and inquisitiveness.
Belmiro’s artworks can be found in collections across South Africa, Mozambique, USA, UK, Japan, Canada, Portugal, Australia, Germany, France, Dubai and many other countries.
I am inspired by daily questions and answers, human expressions and beauty; the unreliable world we live in; human life, humour, fantasies and dreams. I paint/ draw imaginary figures; some suggested, some realistic; I enjoy abstraction and placing this figures in evocative surreal atmospheres, which allows for primeval myths to surface; their humour and questions.
In printmaking, I choose techniques such as dry point for its delicacy; etching for a more aggressive mark, and mono printing for the technique’s never ending element of surprise in mark making. I allow the subject matter, in all cases, to dictate the medium to use.
In paintings, I enjoy mixed medium, which so often results in chances “wow”, moments of surprise. I manipulate the subject or the placement of the subject in most of my paintings, in order to bring out the elements mentioned above: myth, humour and questioning.
My colleagues often remark on what they call my “odd” approach to colour combinations; I believe this add a certain vibrancy to my work. I also often use undefined shapes, which I achieve by approaching line in an abstract manner. I like to draw the eyes into the depths of the painting; into strange, dreamy, mythological spaces; to afford the viewer’s moments of fantasy, and pleasure; to provoke emotions and feelings! Sometimes nostalgia surfaces…
In the course of time, some elements in my works opened doors to seek understanding regarding diversity of human nature as well as the adaptability: I believe that we are far stronger than what we give ourselves credit for… we are intelligent beyond measure. These aspect can be found in the complexity of some elements.